Press
April 15, 2021
The Mole Agent’ Goes in Search of Elder Abuse but Finds a Charming Portrait of Aging, By Gary Goldstein
April 14, 2021
Contender Profile: Editor Carolina Siraqyan on Shaping The Mole Agent, By Daniel Eagan
April 13, 2021
VIDEO: “‘How Oscar Nominees for Best Documentary Earned the Trust of Activists, Journalists and an Octopus (Video)”, By Sharon Waxman
April 12, 2021
Academy Award Feature Doc nomination: The Mole Agent by Maite Alberdi, By Geoffrey Macnab
April 11, 2021
“Onion ring scandals to deadly water parks: Watch these 5 docs when you need a break from true crime”, By Ashlie D. Stevens
April 9, 2021
How Much Secret Footage From ‘The Mole Agent’s’ Spy Was Actually Usable?, By Clayton Davis
April 8, 2021
AUDIO: “‘TheWrap-Up’ Podcast: Oscar Nominees for Best Documentary Feature”, By Daniel Goldblatt and Sharon Waxman
April 7, 2021
“Get Oscars-Ready With Our Guide To Watching All the 2021 Academy Award Nominees”, By Stephanie Osmanski
April 7, 2021
“2021 Documentary Oscar Nominees: A Closer Look at the Films and How to Watch”, By Kristen Tauer
April 5, 2021
“Now Streaming: Academy Award Nominees ANOTHER ROUND, COLLECTIVE, THE MOLE AGENT”, By Peter Martin
April 2, 2021
“Docs: The Mole Agent (2020)”, By Emanuel Levy
March 22, 2021
“Directors Close-Up: Best Doc Nominees Get Real About Ethics, Identity and Investigation”, By Anthony Ferranti
March 19, 2021
Review: The Mole Agent, by Alfonso Rivera
March 19, 2021
AUDIO: Discussed in “’Explain Yourselves, Oscar Nominations’ (Episode 325)”, By Eric Kohn and Anne Thompson
March 18, 2021
“Looking at this year’s Oscar final five”, By Peter Keough
March 15, 2021
Yes, the Oscar nominations are more ‘diverse.’ But they largely leave out Latinos, By Lauren Zamosa
March 15, 2021
The Academy Has Really Changed”: Documentary Feature Nominees Celebrate International Accent To Oscar Nominations”, By Matthew Carey
March 15, 2021
La película chilena ‘Agente Topo’ representará a América Latina en los premios Oscar, by Camila Osorio
March 15, 2021
“Oscars: List of Nominees (Updating Live)”, By Staff
March 14, 2021
Maite Alberdi: “Nunca nos preguntan sobre el viejo que queremos ser” – Interview with Maite Alberdi, by Camila Osorio
March 12, 2021
How Oscar-Shortlisted Documentary ‘The Mole Agent’ Ignites Necessary Conversation About Old Age, By Carlos Aguilar
March 11, 2021
“Final Oscar Nomination Predictions: ‘Nomadland’ and Netflix Can Rule the Wild and Crazy Year”, By Clayton Davis
March 10, 2021
Included in “Here Are the International Feature Film Oscar Contenders Most Likely to Land Nominations”, By Anne Thompson
March 8, 2021
Positive Review, By Anna Smith
March 8, 2021
Watch Daniela Vega and ‘The Mole Agent’ Director Maite Alberdi Discuss Cinema Changing the World (EXCLUSIVE)
March 7, 2021
Included in “Oscars: Amid a Breakout Year for Docs, Is a Best Picture Nomination in the Cards?”, By Adam Benzine
March 4, 2021
15 Latino Contenders Oscar Voters Shouldn’t Overlook, from Sonia Braga to ‘La Llorona’, Carlos Aguilar
February 26, 2021
“Pablo Larrain and Maite Alberdi on Double Oscar Shortlisted ‘The Mole Agent’” by Ana Maria de la Fuente
February 23, 2021
Included in “Awards whispers: ‘I try not to pay attention to the buzz on films’”, By Staff
February 12, 2021
AUDIO: Discussed in “Why Oscar Shortlists Got It Right”, By Eric Kohn and Anne Thompson
February 9, 2021
“Oscar Shortlists Unveiled In Nine Categories Including Documentary & International – Read The Lists” By Pete Hammond
February 9, 2021
“Oscars Shortlists Announced in Nine Categories” By Clayton Davis
February 3, 2021
Included in “Oscars: Previewing Top Contenders For The International Feature Shortlist – Part One”, By Nancy Tartaglione
February 2, 2021
Included in “Seeking Hope in a Seemingly Hopeless World Through International Film”, By Frank J. Avella
January 26, 2021
“Da 5 Blood Tops NBR // The National Board of Review Announces 2021 Winners” By Sasha Stone
January 21, 2021
“‘The Mole Agent’: Film Noir Infiltrates Nonfiction Filmmaking”, By Patricia Thomson
January 9, 2021
Interview with Maite Alberdi, By Matt Grobar
January 8, 2021
Included in “Around The World With The Top Contenders”, By Patrick Brzeski, Alex Ritman, and Scott Roxborough
January 7, 2021
Included in “Oscars Predictions: Best Documentary Feature – Too Many Political Documentaries for the Academy in This Climate?”, By Clayton Davis
January 5, 2021
Included in “Documentaries Invade the Oscars International Race, Again”, By Steve Pond
December 30, 2020
“The 2020 Alliance Of Women Film Journalists (AWFJ) EDA Awards Nominations” By Matt Neglia
December 27, 2020
Newsweek: Included in “100 Best Movies of 2020, According to Critics”, By Abby Monteil
December 23, 2020
AARP: Capsule Review; Rating: 5 out of 5 Stars, By Lisa Kennedy
December 13, 2020
IndieWire: Included in “The Best Documentaries of 2020”, By Eric Kohn
November 30, 2020
IndieWire: Included in “The Best Movies of 2020”, By Eric Kohn
November 19, 2020
Deadline: “Chile Sends Doc ‘The Mole Agent’ To International Oscar Race” By Tom Grater
November 19, 2020
IndieWire: Included in “Post ‘Honeyland,’ More Countries Are Submitting Documentary Oscar Contenders”, By Anne Thompson
October 13, 2020
Forbes: Positive Review, By Christopher Orr
September 26, 2020
Air Mail: Positive Capsule Review, By Julia Vitale
September 18, 2020
Next Best Picture: Review; Rating: 8 out of 10, By Rebecca Daniel
September 4, 2020
WNYC | Documentary of the Week: Featured as “Documentary of the Week”, By Raphaela Neihausen and Thom Powers
September 1, 2020
The Guardian: Interview with Maite Alberdi, By Radheyan Simonpillai
September 1, 2020
Filmmaker Magazine: Interview with Maite Alberdi, By Daniel Eagan
August 31, 2020
Slant Magazine: Review; Rating: 3 ½ out of 4 stars, By Pat Brown
February 16, 2020
Non Fiction Film: Interview with Maite Alberdi, By Matthew Carey
February 3, 2020
The Playlist: Review; Grade: A+, By Jonathan Christian
January 27, 2020
The Hollywood Reporter: Positive Review, By John DeFore
January 25, 2020
The Daily Beast: Positive Review, By Natalia Winkelman
January 25, 2020
IndieWire: Review; Grade: A, By Eric Kohn
January 25, 2020
Screen International: Positive Review, By Allan Hunter
